Star Trek III: The Search for Spock (1984)
(Rewatched 3 June 2013.)
This was, I think, the first Star Trek movie I ever saw. I don’t remember much of that viewing, except that the fact I hadn’t seen Wrath of Khan meant that I didn’t get much out of it.
Watching it now: it’s okay, I suppose. The problem is that it’s very much an in-between film. On the one hand we have the film’s main goal, to resurrect Spock. As dramatic as the idea of resurrecting one of the world’s most recognisable fictional characters sounds on paper, if you look at it another way, the ultimate aim of the movie is merely to return to the status quo: our familiar crew, reunited again. Put that way, it’s really quite a mundane goal around which to base a movie.
That wouldn’t matter too much if there was another interesting storyline going on. But the Genesis Planet aspect of the plot is really just an epilogue to Wrath of Khan; the concept is not developed significantly enough to justify stretching it out and dedicating a whole second movie to it.
So, one storyline is a continuation of something that didn’t really need to be continued from the previous film; the other might seem extraordinary, but is a goal that, rather than moving the series forward, just returns it to the same comfortable setup in preparation for future adventures. Like I said, a bridging, “in-between” film, rather than a satisfying movie in its own right.
Even the death of Kirk’s son David happens in a rather un-dramatic fashion. Perhaps it would have been more interesting if there was a more direct link between Kirk’s efforts to resurrect Spock and the death of his son – the price he pays for the return of his friend?
David is a bland character, and he and the Vulcan Saavik get lots of screen time that would have been better dedicated to other things. For example, McCoy’s conflicts with Spock were one of the fun things about the original TV series, but the idea of them occupying the same body is wasted in this film: we get a couple of minor jokes involving the doctor suddenly coming out with Spock-y logic, but that’s about it.
It’s far from being an annoyingly bad film. It passes the time pleasantly enough. There are things to enjoy: for one thing there’s the novelty of seeing Christopher Lloyd in Klingon make-up (though he’s not the most threatening baddie).
Kirk’s trick with the self-destruction of the Enterprise is probably the best sequence in the film. (Having said that, it does rely on us accepting the idea that a spacecraft that size could be capably run by only a few crewmembers – which, incidentally, also happens to be one of the many suspensions of disbelief involved in watching this year’s Star Trek Into Darkness…)
Fun Fact! Apparently, Frank Welker, animal voiceover god extraordinaire, contributed some screaming noises to this movie! Bit of trivia for you, there.