Iron Man (2008)
This film happened to start on TV shortly after I’d finished rewatching The Iron Giant, and it amused me to make a double-bill of two such similarly-titled films. 🙂
The key to the movie’s success is, of course, the casting of Robert Downey Jr. He delivers offhand jokes, almost to himself, in ways that make it feel like he’s improvising while everyone else is sticking to a screenplay,* and it’s simply a lot of fun watching him on-screen – especially in scenes alongside Paltrow’s Pepper Potts. Terrence Howard makes a much better Col. Rhodes than Don Cheadle did in the sequel; it’s much more believable that he’d be Tony Stark’s friend.
As Tony Stark’s buddy Film Crit Hulk once pointed out, it’s nice that here’s a summer blockbuster in which the action is the least interesting part. In that blog post, the all-caps critic also says, “EVERYONE SEEMED LOVE THAT IT SPENT SO LONG BEFORE TONY ACTUALLY BECOME ‘IRON MAN’ SO THEY GET EXPERIENCE ALL THE GREAT CHARACTER DEVELOPMENT TO GET THERE. EVERYONE LAUDED THE FUN SENSE OF ADVENTURE THAT CAME FROM HIM ACTUALLY BUILDING THE SUIT”, and I completely agree: the section where Tony gets back to the US and carries out his first experiments with building the suit is perhaps my favourite sequence in the movie. (Yeah, OK, I admit that a lot of it has to do with the way it appeals to the gadget-nerd techno-fetishist in me.) All good superhero origin movies should contain a scene where our hero first experiences the joy of what their superpowers allow them to do (see for example Superman running alongside that Smallville train, or even Neo grinning as he spars with Morpheus), and the test flight of the Iron Man Mk. II suit is one of the very best.
Something I find interesting is the way that the film both has its cake and eats it: it’s based around the idea of a warmonger coming over to the side of the peaceniks, and yet also contains gleeful scenes of t’rr’rist-slaughter which are pure right-wing hawk revenge-fantasy. (I admit I do find some of the film’s depictions of the Bad Brown People fairly uncomfortable at times.)
I do wonder if the little bit of non-linearity that opens the film was only included because of a belief that the audience would grow restless unless the movie opened with a bang. Whatever the reason: I’ve always found that little piece of “how we got here” flashbacking very effective. The high-altitude icing problem setup and payoff also works similarly well (it’s to the film’s benefit that it’s not the final thing that defeats the villain), even if it’s not exactly subtle.
I’ve never read it, but the most famous Iron Man comics storyline is Demon In A Bottle, which tackles Stark’s alcoholism. The Marvel Studios movies haven’t adapted this on-screen yet, and it doesn’t sound like they will do any time soon. This makes a nice change from the way Fox approached X-Men 3 and Sony approached Spider-Man 3: rushing to hit the most famous comics storylines and characters as soon as possible, then getting greedy and cramming too many of them into one movie. Having said that, we do get several sequel-setups: Rhodey’s “Next time, baby” line is a little too cheesy for me, the Ten Rings hints are OK, and as for that post-credits epilogue… I can’t remember if it had been spoiled for me in advance of seeing the movie back in 2008, but I remember thinking that although it was a fun tease, it was something that would almost certainly never come to pass. It’s really quite wonderful to think that the thing set up in that cameo not only happened at all, but actually matched my very high expectations!
[4 out of 5]
* OK, admittedly Downey mumbles a lot of the best lines so you could easily miss them. But its nowhere near as bad as his mumbling in the Guy Ritchie version of Sherlock Holmes – inaudible dialogue from the lead character is pretty much all I remember of that movie…